“What’s motivating right now is having the ‘No Time to Die’ and ‘Parallel Mothers’ themes in my head and writing at 2 a.m.,” he said. Now, he’s arranging the music for the 2022 Oscars telecast. Richardson, The Denver PostDenver’s Derrick Hodge, who grew up outside Philadelphia, has worked with Kanye West, Common, and Herbie Hancock.
Hodge has plenty to work with, between nominated scores from Hans Zimmer (“Dune”) and Germaine Franco (“Encanto”) and original songs by Beyoncé Knowles-Carter and Dixson (the “King Richard” song “Be Alive”) and Billie Eilish and Finneas O’Connell (the title track for the latest James Bond flick, “No Time to Die”). “Composing during the (pandemic and quarantines) has meant these Oscar-nominated composers feel like they’re doing a lot of these things in secret or silence, so it might mean more to them this year,” said Hodge, who also has composed for several documentaries and narrative features. There will be lush strings and brass that evoke Oscars history, but also modern touches that keep the ceremony relevant in the 21st century.
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Hodge has been given free rein to find his own way to honor the music of 2022’s nominated films as he chooses, and that’s more important than ever, he said. Still, the Oscars is one of his heaviest jobs in a career larded with them. It’s the same for the “Lift Every Voice” segment he arranged for Super Bowl LVI, which was performed by Mary Mary and the Youth Orchestra of Los Angeles, during the pregame (prior to the national anthem) on Feb. The 42-year-old quietly nabbed the latter job a little over a month ago, and has mostly been finishing it from his home in Denver before heading to Los Angeles for rehearsals.Įven as he will appear on stage, conducting the Oscars orchestra, all that work was prepared “right here off I-70,” he said. Digital Replica Edition Home Page Close Menu
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